<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-24121976777015927</id><updated>2011-08-12T04:36:26.563-07:00</updated><title type='text'>Gravura de Inverno em Circuito</title><subtitle type='html'>Blog para divulgação das ações do Projeto Gravura de Inverno em Circuito, selecionado no edital Rede Nacional Funarte Artes Visuais.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>14</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-3392209871745608084</id><published>2010-03-17T08:56:00.000-07:00</published><updated>2010-03-17T09:07:03.581-07:00</updated><title type='text'>Mais fotos da Intervenção no muro!</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_LX3K-O8pC_c/S6D4klWuWlI/AAAAAAAAAL4/ue2fUUtzhSA/s1600-h/12.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_LX3K-O8pC_c/S6D4klWuWlI/AAAAAAAAAL4/ue2fUUtzhSA/s320/12.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_LX3K-O8pC_c/S6D-EGK9iOI/AAAAAAAAAOY/28-FMhmtXFw/s1600-h/muro+5+(2).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_LX3K-O8pC_c/S6D-EGK9iOI/AAAAAAAAAOY/28-FMhmtXFw/s320/muro+5+(2).jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_LX3K-O8pC_c/S6D76KP1JoI/AAAAAAAAANI/rL2u1qr5Rq0/s1600-h/3.JPG" imageanchor="1" style="margin-left: 1em; 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text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S6D8pBWje8I/AAAAAAAAANw/youcOYSvI5Y/s1600-h/7.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S6D8pBWje8I/AAAAAAAAANw/youcOYSvI5Y/s320/7.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S6D8w8Aky7I/AAAAAAAAAN4/JjzC7ek-ATI/s1600-h/10.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S6D8w8Aky7I/AAAAAAAAAN4/JjzC7ek-ATI/s320/10.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/_LX3K-O8pC_c/S6D9NTBVCNI/AAAAAAAAAOI/6XWwKGfVaO0/s1600-h/19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_LX3K-O8pC_c/S6D9NTBVCNI/AAAAAAAAAOI/6XWwKGfVaO0/s320/19.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/_LX3K-O8pC_c/S6D7f0S13NI/AAAAAAAAANA/OUJJLDekt4c/s1600-h/14.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_LX3K-O8pC_c/S6D7f0S13NI/AAAAAAAAANA/OUJJLDekt4c/s320/14.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S6D9jP7vDsI/AAAAAAAAAOQ/IP3I-9c2dkY/s1600-h/17.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S6D9jP7vDsI/AAAAAAAAAOQ/IP3I-9c2dkY/s320/17.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-3392209871745608084?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/3392209871745608084/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/mais-fotos-da-intervencao-no-muro.html#comment-form' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/3392209871745608084'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/3392209871745608084'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/mais-fotos-da-intervencao-no-muro.html' title='Mais fotos da Intervenção no muro!'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_LX3K-O8pC_c/S6D4klWuWlI/AAAAAAAAAL4/ue2fUUtzhSA/s72-c/12.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-2570970267958939062</id><published>2010-03-11T11:41:00.000-08:00</published><updated>2010-03-17T08:37:33.108-07:00</updated><title type='text'>Intervenção: Xilo no Muro!!</title><content type='html'>Nos dias 03 e 04 de março, os 20 inscritos para a oficina de desenho e xilo tiveram aulas com orientação do artista visual e xilogravador Elias Santos. Todo o material ficou por conta do projeto. Os motivos da xilogravura ficou a critério do imaginário e poética visual de cada um.&lt;br /&gt;Confira um pouco da oficina:&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5wLu6G8A6I/AAAAAAAAALg/e9h4HulUN3c/s1600-h/oficina+elias+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5wLu6G8A6I/AAAAAAAAALg/e9h4HulUN3c/s320/oficina+elias+1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5wNupdZfTI/AAAAAAAAALw/QyQ2lIYWOuo/s1600-h/oficina+elias+5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5wNupdZfTI/AAAAAAAAALw/QyQ2lIYWOuo/s320/oficina+elias+5.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Já nos dias 05 e 06 os 20 participantes da oficina de xilo, transpuseram imagens da madeira para os muros. Sob a supervisão de Derlon Almeida e Elias Santos, cada participante/artista interviu no muro com um desenho baseado na estética da xilo. Vale destacar a grande parceria do SENAC que cedeu o muro para que ocorresse essa intervenção.&lt;br /&gt;O material ficou por conta do projeto Gravura em Circuito. A temática foi livre, porém unidos sob o elo da estética da xilogravura.&lt;br /&gt;Confira abaixo!&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lE8P51k9I/AAAAAAAAAJg/RyePcrGJ0z8/s1600-h/MURO+5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lE8P51k9I/AAAAAAAAAJg/RyePcrGJ0z8/s320/MURO+5.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/_LX3K-O8pC_c/S5lFdmPd80I/AAAAAAAAAJo/tbriIuaC2Tk/s1600-h/muro+9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_LX3K-O8pC_c/S5lFdmPd80I/AAAAAAAAAJo/tbriIuaC2Tk/s320/muro+9.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_LX3K-O8pC_c/S5lF72Odr1I/AAAAAAAAAJw/vncfyEyN-YI/s1600-h/MURO+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_LX3K-O8pC_c/S5lF72Odr1I/AAAAAAAAAJw/vncfyEyN-YI/s320/MURO+1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lGnJ81CEI/AAAAAAAAAKI/BtORgGu5GVU/s1600-h/MURO+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lGnJ81CEI/AAAAAAAAAKI/BtORgGu5GVU/s320/MURO+3.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/_LX3K-O8pC_c/S5lGwilZZsI/AAAAAAAAAKQ/N2Ftmiohy9M/s1600-h/MURO+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_LX3K-O8pC_c/S5lGwilZZsI/AAAAAAAAAKQ/N2Ftmiohy9M/s320/MURO+4.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Claudia Nen&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lIfMsqsgI/AAAAAAAAAKo/vnwh0DhiE_Y/s1600-h/gabi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lIfMsqsgI/AAAAAAAAAKo/vnwh0DhiE_Y/s320/gabi.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;Gravura de Gabriela Etinger&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_LX3K-O8pC_c/S5lG6epbVnI/AAAAAAAAAKY/fKFbLoQOzFs/s1600-h/MURO+7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_LX3K-O8pC_c/S5lG6epbVnI/AAAAAAAAAKY/fKFbLoQOzFs/s320/MURO+7.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;Gravura de Elias Santos&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lIr_YasEI/AAAAAAAAAKw/EQN4Ex_930o/s1600-h/derlon+e+elias.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lIr_YasEI/AAAAAAAAAKw/EQN4Ex_930o/s320/derlon+e+elias.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Elias e Derlon Almeida - gravura de Derlon&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lHMNoK-_I/AAAAAAAAAKg/3a-JY4Xxf9k/s1600-h/MURO+8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lHMNoK-_I/AAAAAAAAAKg/3a-JY4Xxf9k/s320/MURO+8.jpg" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-2570970267958939062?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/2570970267958939062/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/intervencao-xilo-no-muro.html#comment-form' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/2570970267958939062'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/2570970267958939062'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/intervencao-xilo-no-muro.html' title='Intervenção: Xilo no Muro!!'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_LX3K-O8pC_c/S5wLu6G8A6I/AAAAAAAAALg/e9h4HulUN3c/s72-c/oficina+elias+1.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-6008944606871780357</id><published>2010-03-11T11:26:00.000-08:00</published><updated>2010-03-11T11:26:18.562-08:00</updated><title type='text'>Narrativas em madeira e muro: Derlon Almeida</title><content type='html'>No dia 04 de março, aconteceu a palestra Narrativas em madeira e muro, com o xilogravador e graffitteiro pernambucano, Derlon Almeida. Participaram aproximadamente 90 pessoas, dentre xilogravadores, professores, estudantes, cordelistas, entre outros.&lt;br /&gt;Neste dia contamos com a presença de Manuela de Lorenzo, coordenador do Programa Rede Nacional Funarte Artes Visuais. A platéia participou ativamente do debate, questionando Derlon sobre o processo de feitura da sua obra e a definição de sua estética visual. Foi bacana!&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_LX3K-O8pC_c/S5lC-7iISQI/AAAAAAAAAJA/q-eB8eTu0zk/s1600-h/PALESTRA+DERLON+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_LX3K-O8pC_c/S5lC-7iISQI/AAAAAAAAAJA/q-eB8eTu0zk/s320/PALESTRA+DERLON+2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;Elias e Manuela de Lorenzo.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lDLPkuO8I/AAAAAAAAAJI/fjWhH0heSTc/s1600-h/PALETSRA+DERLON+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lDLPkuO8I/AAAAAAAAAJI/fjWhH0heSTc/s320/PALETSRA+DERLON+3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;Derlon Almeida&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lDV_SmWMI/AAAAAAAAAJQ/OF2wkWGMBYI/s1600-h/PALESTRA+DERLON+6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lDV_SmWMI/AAAAAAAAAJQ/OF2wkWGMBYI/s320/PALESTRA+DERLON+6.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lDc75W30I/AAAAAAAAAJY/sgioIRA31OA/s1600-h/PALETSRA+DERLON+5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lDc75W30I/AAAAAAAAAJY/sgioIRA31OA/s320/PALETSRA+DERLON+5.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-6008944606871780357?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/6008944606871780357/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/narrativas-em-madeira-e-muro-derlon.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/6008944606871780357'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/6008944606871780357'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/narrativas-em-madeira-e-muro-derlon.html' title='Narrativas em madeira e muro: Derlon Almeida'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_LX3K-O8pC_c/S5lC-7iISQI/AAAAAAAAAJA/q-eB8eTu0zk/s72-c/PALESTRA+DERLON+2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-2514573588045019058</id><published>2010-03-11T11:17:00.000-08:00</published><updated>2010-03-11T11:17:50.303-08:00</updated><title type='text'>A xilogravura no Universo da Comunicação por Antonio Costella</title><content type='html'>A xilogravura no Universo da Comunicação foi a palestra ministrada por Antonio Costella, professor, escritor e diretor do Museu Casa da Xilogravura, no dia 02 de março, como uma ação do projeto Gravura em Circuito.&lt;br /&gt;A palestra foi um sucesso! Compareceram cerca de 100 pessoas para ouvir e debater sobre xilogravura.&lt;br /&gt;Para a mesa de abertura contamos com a presença de Elias Santos, coordenador do projeto Gravura em Circuito, Paulo do Eirado, diretor regional do SENAC-SE, Carlos Britto Aragão, presidente da Sociedade Semear e Simone Nascimento, representando a diretoria do Sebrae-SE.&lt;br /&gt;&lt;br /&gt;Confira abaixo, um pouquinho das imagens desse dia.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lBBLKCb5I/AAAAAAAAAIQ/GiUn8tk_D4g/s1600-h/palestra+ac+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lBBLKCb5I/AAAAAAAAAIQ/GiUn8tk_D4g/s320/palestra+ac+3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lBLRKMZ_I/AAAAAAAAAIY/2V4fNSxs0gc/s1600-h/palestra+AC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_LX3K-O8pC_c/S5lBLRKMZ_I/AAAAAAAAAIY/2V4fNSxs0gc/s320/palestra+AC.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;Elias e Antonio Costella&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lBgT350sI/AAAAAAAAAIo/aMiulYFwwhs/s1600-h/palestra+ac4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lBgT350sI/AAAAAAAAAIo/aMiulYFwwhs/s320/palestra+ac4.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;Antonio Costella&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_LX3K-O8pC_c/S5lBXL-oBBI/AAAAAAAAAIg/3yqjt7flj7M/s1600-h/palestra+AC+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_LX3K-O8pC_c/S5lBXL-oBBI/AAAAAAAAAIg/3yqjt7flj7M/s320/palestra+AC+2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lBsXYNA-I/AAAAAAAAAIw/s695FHc6CnY/s1600-h/palestra+ac+6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lBsXYNA-I/AAAAAAAAAIw/s695FHc6CnY/s320/palestra+ac+6.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-2514573588045019058?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/2514573588045019058/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/xilogravura-no-universo-da-comunicacao.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/2514573588045019058'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/2514573588045019058'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/xilogravura-no-universo-da-comunicacao.html' title='A xilogravura no Universo da Comunicação por Antonio Costella'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_LX3K-O8pC_c/S5lBBLKCb5I/AAAAAAAAAIQ/GiUn8tk_D4g/s72-c/palestra+ac+3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-1640667983916955530</id><published>2010-03-01T16:47:00.000-08:00</published><updated>2010-03-02T04:16:55.615-08:00</updated><title type='text'>Amanhã, terça-feira, começa o projeto Gravura em Circuito!</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_LX3K-O8pC_c/S4xfv8uKbFI/AAAAAAAAAII/nxvFdTX-yK0/s1600-h/cartaz_gravura+em+circuito_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_LX3K-O8pC_c/S4xfv8uKbFI/AAAAAAAAAII/nxvFdTX-yK0/s320/cartaz_gravura+em+circuito_2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;É isso aí! Amanhã, dia 02 de março,&amp;nbsp;inicia o projeto Gravura em Circuito com a palestra do xilogravador e diretor do Museu Casa da Xilogravura, Antonio Costella, com a palestra "A xilogravura no universo da comunicação. A palestra é gratuita e acontecerá a partir das 19h30, no auditório da Sociedade Semear, localizada na Rua Vila Cristina, 148, bairro São José, Aracaju. Fica próximo a Clínica dos acidentados.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Saiba mais sobre Antonio Costella&lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;span class="Apple-style-span" style="line-height: 18px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;&lt;span class="Apple-style-span" style="font-size: 19px; line-height: 21px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-large;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;ANTONIO Fernando COSTELLA, nasceu em São Paulo, SP, em 29 de março de 1943. Formou-se em Direito pela Universidade de São Paulo. Durante mais de três décadas&amp;nbsp;foi professor universitário. Lecionou na Universidade de São Paulo (Escola de Comunicações e Artes, e Faculdade de Direito); na Faculdade de Comunicação Social Cásper Líbero; e em outras instituições de ensino, inclusive na Europa (Escola Superior de Jornalismo, Porto, Portugal).&amp;nbsp;&amp;nbsp;Recebeu, em 2002, o Prêmio “Luis Beltrão” - Maturidade Acadêmica, da INTERCOM.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;Exerceu a advocacia durante uma década e, por concurso, foi Procurador Municipal na cidade de São Paulo.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;Além de vários ensaios e de uma centena de artigos, tem 32 livros publicados, que se dividem em três áreas:&lt;b&gt;&amp;nbsp;a)&lt;/b&gt;&amp;nbsp;obras técnicas (versam sobre Direito e História da Comunicação; Técnicas de Artes Plásticas; e História da Arte);&amp;nbsp;&lt;b&gt;b)&lt;/b&gt;&amp;nbsp;literatura geral (nesta área suas obras de maior divulgação foram os quatro livros de viagem da série iniciada com “Patas na Europa”, que têm como narrador o cão do autor e mesclam fatos reais com muita história universal e alguma ficção; incluem-se também aqui dois livros de poesia e um de contos);&amp;nbsp;&lt;b&gt;c)&lt;/b&gt;&amp;nbsp;literatura infanto-juvenil (destaca-se o pequeno livro “Ter cão é coisa séria”, com mais de cem mil exemplares publicados).&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;Organizou e dirige a Casa da Xilogravura, museu fundado em 1987 na cidade de Campos do Jordão, que congrega em seu acervo obras de mais de 400 artistas. Os prédios do Museu e o acervo serão, “post mortem”, legados à USP Universidade de São Paulo.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;Antonio F. Costella&amp;nbsp;é também artista plástico, tendo se dedicado à pintura e à xilogravura&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;Estudou desenho com Vicente Mecozzi, em São Paulo, e na Academia La Grand Chaumière, em Paris; pintura com Anna Russo Morrone e Camargo Freire; gravura e escultura no Liceu de Artes e Ofícios de São Paulo, respectivamente com Romildo Paiva e Deodato.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;Participou de exposições no Brasil e no Exterior (Inglaterra, China, Espanha, Cuba, Argentina, etc.)Pintou retratos a óleo de particulares e de personalidades, como Prof. Vicente Marotta Rangel, para a galeria de diretores da Faculdade de Direito da USP; dos reitores José Alves, Sebastião Bonatto e Walter Taumaturgo, para a Universidade de Taubaté; etc.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;Xilogravuras de Antonio F. Costella constam do acervo dos seguintes museus ou instituições: Biblioteca Nacional, Rio de Janeiro, Brasil; Bibliothèque Nationale, Paris, França; Buckingham Palace, Londres, Inglaterra;&amp;nbsp;Casa da Xilogravura, Campos do Jordão, Brasil; Centro Cultural de São Paulo, São Paulo, Brasil; Galleria Nazionale D’Arte Moderna e Contemporânea, Roma, Itália;&amp;nbsp;&amp;nbsp;Herefordshire Museums, Inglaterra;&amp;nbsp;&amp;nbsp;Louvre, Paris, França;&amp;nbsp;&amp;nbsp;Museo Civico L. Bailo,&amp;nbsp;&amp;nbsp;Treviso, Itália; Museo d’arte moderna di Ca’Pesaro, Veneza, Itália;&amp;nbsp;&amp;nbsp;Museu de Arte Contemporânea, São Paulo, Brasil; Museu de Arte do Rio Grande do Sul, Porto Alegre, Brasil; Museu de Arte Moderna-MAM, São Paulo, Brasil; Museu de Arte de São Paulo-MASP, São Paulo, Brasil; Museu Nacional de Belas Artes, Rio de Janeiro, Brasil; Palácio Boa Vista, Campos do Jordão, Brasil; Palácio Real, Amsterdam, Holanda; Palácio Real, Bruxelas, Bélgica; Palácio Real, Madri, Espanha; Pinacoteca do Estado, São Paulo, Brasil; Vaticano, Estado do Vaticano; etc.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;RELAÇÃO DE LIVROS DE AUTORIA DE ANTONIO F. COSTELLA&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;LIVROS TÉCNICOS:&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;O Controle da Informação no Brasil&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Ed. Vozes, 1970)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Os Crimes contra a honra e os meios de comunicação&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(ECA/USP, 1972)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Direito da Comunicação&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Ed. Revista dos Tribunais, 1976)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Comunicação do grito ao satélite&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1978; 5&lt;sup&gt;a&lt;/sup&gt;. ed. 2002)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Introdução à Gravura e História da Xilografia&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Ed. Mantiqueira, 1984)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Para apreciar a Arte&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Ed. Mantiqueira, 1985; Ed. SENAC, 1997; 3ª. ed. 2001)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Xilogravura - Manual prático&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1987)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Da Caverna à Galáxia&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(capítulo de “Comunicação em Debate”, Ed. Moderna, 1997)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Legislação da Comunicação Social – Curso Básico&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 2002)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Breve história ilustrada da xilogravura&lt;/b&gt;&amp;nbsp;(Ed.Mantiqueira/Casa da Xilogravura, 2003)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Xilografia na Escola do Horto&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Ed. Mantiqueira, 2005)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Introdução à gravura e à sua história&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 2006)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;A Censura nos Impérios Lusitano e Brasileiro&lt;/b&gt;&amp;nbsp;(capítulo de “Síndrome da Mordaça”, Cátedra&amp;nbsp;&amp;nbsp;UNESCO/Metodista, 2007)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Gazeta picante: o mundo boêmio da Paulicéia&lt;/b&gt;&amp;nbsp;(capítulo de “Os Bandeirantes da Idade Mídia”, Intercom/Angelara, 2007)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;LITERATURA GERAL:&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;O Chão e a nuvem&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(contos) (Ed. Mantiqueira, 2&lt;sup&gt;a&lt;/sup&gt;. edição, 1994)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Xilopoemas&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Edição xilográfica do autor, 1982)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Currículo do Tempo&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(poesias) (Ed. Mantiqueira, 1991)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Patas na Europa&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1993; 2&lt;sup&gt;a&lt;/sup&gt;. ed. 1994)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Patas 2 – A viagem continua&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1994)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Patas 3 – Ossos de Pizza&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Ed. Mantiqueira, 1995)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Vida de Cachorro – Biografia não autorizada&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1995)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Bucéfalo, o grande&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1996)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Dick, o herói&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1996)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Cacareco, o vereador&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1996)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Patas 4 – A Odisséia final&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 2000)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Patas na Europa (de Portugal à Grécia)&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Ediouro, 2008)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;LITERATURA INFANTO-JUVENIL&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Um nariz muito especial&lt;/b&gt;&amp;nbsp;(Ed. Moderna, 1996; 5ª. ed. 2001)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Frederica vai à Lua&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1996, 2&lt;sup&gt;a&lt;/sup&gt;. ed. 2000)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;A Gata Mícholas e a praça&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(Ed. Mantiqueira, 1996; 2&lt;sup&gt;a&lt;/sup&gt;. ed. 2000)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;O ladrão das palavras&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1996)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Como cuidar caninamente de seu cão&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1998)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Ter cão é coisa séria&lt;/b&gt;&amp;nbsp;(Ed. Mantiqueira, 1998; 5ª.ed. 2002)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;RELAÇÃO DOS PRINCIPAIS ENSAIOS DE ANTONIO F. COSTELLA&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Notas sobre um jornal: O Gigolô&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(in&amp;nbsp;&amp;nbsp;Revista “Comunicações e Artes”, USP, nº2, ano 1970)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Novas Perspectivas da História das Comunicações&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;(in Revista “Comunicações e Artes”, USP, nº3, ano 1970)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Fortalecimento do Direito de Resposta&lt;/b&gt;&amp;nbsp;(in Revista “Comunicações e Artes”, nº4, ano 1971)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;As Emissoras Piratas e o Direito Internacional&lt;/b&gt;&amp;nbsp;(in Revista “Comunicações e Artes”, órgão oficial da Escola de Comunicações e Artes da USP, nº6, 1971)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;A Imprensa, a Independência e a Liberdade&lt;/b&gt;&amp;nbsp;(in revista “Realidade”, Editora Abril, São Paulo, setembro de 1972, edição comemorativa ao sesquicentenário da Independência do Brasil)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Os Cabos Submarinos e o Direito Internacional&lt;/b&gt;&amp;nbsp;(in&amp;nbsp;&amp;nbsp;“Revista dos Tribunais”, ano 63, vol.459, janeiro de 1974, Ed. R.T., São Paulo)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;A respeito deste livro e da vida de Carlos Rizzini&lt;/b&gt;&amp;nbsp;&amp;nbsp;(prefácio ao livro “Liberdade de Imprensa”, de Carlos Rizzini, Editora Mantiqueira, São Paulo, 1998)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;O preço da cor&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;(in Idade Mídia, Revista da FACOM-FIAM, nº. 2, novembro/2002)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Um jogo de espelhos: os biógrafos de Hipólito da Costa&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;(in volume 30 da coleção do “Correio Braziliense” reeditado pela Imprensa Oficial do Estado de São Paulo, 2002)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;LIVROS ORGANIZADOS POR ANTONIO F. COSTELLA&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Imagens Jordanenses&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;, publicado em co-edição da Prefeitura Municipal de Campos do Jordão e Academia de Letras de Campos do Jordão, 1988&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="line-height: 115%; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;Liberdade de Imprensa&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%; mso-themecolor: background1;"&gt;, reúne artigos de Carlos Rizzini, com prefácio de Antonio F. Costella, publicado pela Editora Mantiqueira, 1998&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-1640667983916955530?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/1640667983916955530/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/amanha-comeca-o-projeto-gravura-em.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/1640667983916955530'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/1640667983916955530'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/03/amanha-comeca-o-projeto-gravura-em.html' title='Amanhã, terça-feira, começa o projeto Gravura em Circuito!'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_LX3K-O8pC_c/S4xfv8uKbFI/AAAAAAAAAII/nxvFdTX-yK0/s72-c/cartaz_gravura+em+circuito_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-4008038156582733649</id><published>2010-02-25T15:34:00.000-08:00</published><updated>2010-02-25T15:34:26.270-08:00</updated><title type='text'>As inscrições da oficina de desenho e xilo encerraram.</title><content type='html'>Isso mesmo! Hoje, quinta-feira foi preenchida a última ficha das 20 vagas para a oficina de desenho e xilo que acontecerá entre uma das ações do projeto Gravura em Circuito.&lt;br /&gt;As vagas foram bastantes concorridas e quem for na Semear pode deixar o nome e contato para ficar na lista de cadastro reserva, para a possibilidade haver algum desistente.&lt;br /&gt;É isso aí!&lt;br /&gt;Lembrem-se! Para as palestras não precisa de inscrição prévia. A entrada é franca, basta comparecer e participar.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-4008038156582733649?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/4008038156582733649/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/as-inscricoes-da-oficina-de-desenho-e.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/4008038156582733649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/4008038156582733649'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/as-inscricoes-da-oficina-de-desenho-e.html' title='As inscrições da oficina de desenho e xilo encerraram.'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-4265172616384127101</id><published>2010-02-22T16:24:00.000-08:00</published><updated>2010-02-22T16:24:14.344-08:00</updated><title type='text'>O folder já está em circulação!</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_LX3K-O8pC_c/S4MfxyT8-7I/AAAAAAAAAHg/P2tKqaGw0j0/s1600-h/Folder_Gravura+em+circuito_parte+interna_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="281" src="http://1.bp.blogspot.com/_LX3K-O8pC_c/S4MfxyT8-7I/AAAAAAAAAHg/P2tKqaGw0j0/s400/Folder_Gravura+em+circuito_parte+interna_1.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-4265172616384127101?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/4265172616384127101/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/o-folder-ja-esta-em-circulacao.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/4265172616384127101'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/4265172616384127101'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/o-folder-ja-esta-em-circulacao.html' title='O folder já está em circulação!'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_LX3K-O8pC_c/S4MfxyT8-7I/AAAAAAAAAHg/P2tKqaGw0j0/s72-c/Folder_Gravura+em+circuito_parte+interna_1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-3272412558864795778</id><published>2010-02-15T18:00:00.000-08:00</published><updated>2010-02-15T18:00:31.401-08:00</updated><title type='text'>Sobre a oficina</title><content type='html'>A Oficina será feita em duas etapas: a primeira no dia 03/03 com aula de desenho e elaboração do projeto e outra no dia 05 e 06/03 com a preparação e feitura da pintura mural baseada na estética da xilogravura. Ambas serão coordenadas por Elias Santos e ministrada por Derlon Almeida.&lt;div&gt;Todo o material será ofertado pela organização do projeto.&lt;/div&gt;&lt;div&gt;Serão 20 vagas e como pré-requisito para inscrição o participante deverá possuir alguma noção em desenho e/ou xilogravura.&lt;/div&gt;&lt;div&gt;As inscrições são gratuitas e deverão ser feitas entre o dia 18/02 (quinta-feira) e 26/02, com Ângela na Sociedade Semear, que fica localizada na Rua Vila Cristina, 148, São José, Aracaju. Próxima a Clínica dos Acidentados.&lt;/div&gt;&lt;div&gt;Para os participantes serão emitidos certificados com 24h de oficina.&lt;/div&gt;&lt;div&gt;Participe. Inscreva-se!!&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-3272412558864795778?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/3272412558864795778/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/sobre-oficina.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/3272412558864795778'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/3272412558864795778'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/sobre-oficina.html' title='Sobre a oficina'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-1030020926242612223</id><published>2010-02-10T16:56:00.001-08:00</published><updated>2010-02-18T17:02:32.102-08:00</updated><title type='text'>Confira a Programação completa do Gravura em Circuito!</title><content type='html'>&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: 14pt;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Dia 02 de março, terça-feira.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;as 19h30&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Abertura do projeto Gravura de Inverno em Circuito com Palestra “A xilogravura no Universo da Comunicação”, com Antonio Costella, as 19h30.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;u1:p&gt;&lt;/u1:p&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Local: Auditório da Sociedade Semear. Rua Vila Cristina 148. São José. Aracaju-SE.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;u1:p&gt;&lt;/u1:p&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Exposição "Grupo Gravura de Inverno"&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Galeria B, Sociedade Semear.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;A exposição fica aberta até 31 de março.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;-&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="apple-converted-space"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: 14pt;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Dia 03 de março, quarta-feira.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Oficina de desenho e xilogravura, com Elias Santos e Derlon Almeida, das 14h as 18h. &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Local: Espaço Cultural da Sociedade Semear. Rua Vila Cristina 148. São José. Aracaju-SE.&amp;nbsp; (20 vagas)&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;- &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: 14pt;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Dia 04 de março, quinta-feira.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;-&amp;nbsp;das 09h às 12h.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Oficina de desenho e xilogravura, com Elias Santos e Derlon Almeida, &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;u1:p&gt;&lt;/u1:p&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Local: Espaço Cultural da Sociedade Semear. Rua Vila Cristina 148. São José. Aracaju-SE.&amp;nbsp;&amp;nbsp;(20 vagas)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;-&amp;nbsp;as 19h30&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Palestra “Narrativas em madeira e muro: Derlon Almeida”,&amp;nbsp; com Derlon Almeida, .&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;u1:p&gt;&lt;/u1:p&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Local: Auditório da Sociedade Semear. Rua Vila Cristina 148. São José. Aracaju-SE.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;u1:p&gt;&lt;/u1:p&gt;  &lt;/span&gt;&lt;br /&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;- &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: 14pt;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Dia 05 de março, sexta-feira.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;-&lt;/span&gt;&lt;span class="apple-converted-space"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;das 16 as 19h&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Intervenção nos muros com os participantes da oficina, supervisão Derlon Almeida e Elias Santos.&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;- &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Arial; font-size: 14pt;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Dia 06 de março, sábado.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;-&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&amp;nbsp;das 16 as 19h&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Intervenção nos muros com os participantes da oficina, supervisão Derlon Almeida e Elias Santos.&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin-bottom: .0001pt; margin: 0cm; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="Apple-style-span" style="color: white;"&gt;Para a intervenção nos muros participarão os mesmos 20 alunos da oficina de desenho e xilo.&amp;nbsp;&lt;u1:p&gt;&lt;/u1:p&gt; Haverá emissão de certificado para quem frequentar as duas palestras e haverá certificado para os participantes da oficina.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-1030020926242612223?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/1030020926242612223/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/programacao.html#comment-form' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/1030020926242612223'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/1030020926242612223'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/programacao.html' title='Confira a Programação completa do Gravura em Circuito!'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-3916211537143688811</id><published>2010-02-10T16:54:00.000-08:00</published><updated>2010-02-22T16:52:55.683-08:00</updated><title type='text'>Sobre Derlon Almeida</title><content type='html'>&lt;div class="Default" style="text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;Derlon Almeida de Lima, nasceu em 27/03/1985 na cidade do Recife em Pernamuco. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Default" style="text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;A partir de pesquisas sobre a xilogravura popular e a &lt;i&gt;street art &lt;/i&gt;desenvolve obras com a influência da fundição desses dois gêneros da Arte Popular, criando um novo projeto de linguagem Contemporânea incorporando, nas obras, elementos do graffiti e da xilogravura popular, estendendo os dois campos de atuação, subvertendo ambos os meios. Desta maneira, desenvolve uma arte urbana com graffiti e cartazes. Com poucas e contrastantes cores, apropriação da estética da xilogravura criou uma simbiose da intervenção urbana com um dos principais meios de comunicação impressa da cultura popular.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Arial;"&gt;&lt;a href="http://derlonalmeida.blogspot.com/"&gt;http://derlonalmeida.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-3916211537143688811?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/3916211537143688811/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/sobre-derlon-almeida.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/3916211537143688811'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/3916211537143688811'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/sobre-derlon-almeida.html' title='Sobre Derlon Almeida'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-92920586878154373</id><published>2010-02-10T16:53:00.000-08:00</published><updated>2010-02-10T16:53:28.619-08:00</updated><title type='text'>Sobre Elias Santos</title><content type='html'>&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;Elias Santos [1964-] trabalha com desenhos, gravuras, pintura, objetos e instalações. É também instrutor, fomentador e produtor cultural no cenário das artes visuais em Sergipe. Em 2005 foi eleito o representante do seu estado para as Câmaras Setoriais de Artes Visuais da FUNARTE. Idealizou e desenvolveu o projeto TRIBUSVISUAIS/SE com o objetivo de fomentar a discussão e produção em arte contemporânea no estado. Em 2007, 2008 e 2009 foi contemplado pelo programa BNB de Cultura com o seu projeto GRAVURA DE INVERNO.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;Cursa História pela Universidade Federal de Sergipe. Estudou na escola de Belas Artes da Universidade Federal da Bahia/UFBA, por um ano através de Bolsa de Estudos financiada pela Prefeitura Municipal de Aracaju em 1985. Participou de oficinas de artes no MAM BA – Museu de Arte Moderna da Bahia. Entre outros cursos obteve aulas de desenho da figura humana no CCRI – Colégio Comunitário de Lincon RHODE INSLAND – EUA. É professor efetivo do SENAC/SE no qual leciona os cursos de artes desta instituição.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;Desde que criou o projeto GRAVURA DE INVERNO em 2005 já realizou 10 exposições de xilogravura com o seu grupo, com destaque para a mostra Múltiplos: xilogravadores sergipanos em Campos do Jordão, no Museu da Casa da Xilogravura. Lançou cerca de 6 catálogos para registro do projeto e sua produção, contando com o apoio do Sebrae, Senac, Correios e Sociedade Semear.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-92920586878154373?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/92920586878154373/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/sobre-elias-santos.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/92920586878154373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/92920586878154373'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/sobre-elias-santos.html' title='Sobre Elias Santos'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-140732040971134836</id><published>2010-02-10T16:50:00.003-08:00</published><updated>2010-02-10T16:50:43.210-08:00</updated><title type='text'>Sobre o palestrante Antônio Costella</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Arial;"&gt;Antonio Fernando Costella nasceu em São Paulo, em 1943. É bacharel em Direito pela "Faculdade de Direito da Universidade de São Paulo". É também artista plástico. Durante mais de três décadas, Costella foi professor universitário. Lecionou na USP ("Escola de Comunicações e Artes" e "Faculdade de Direito"), na "Casper Líbero", de São Paulo, e em outras instituições de ensino, inclusive na Europa, na "Escola Superior de Jornalismo" do Porto, em Portugal. Fez cursos de xilogravura e de escultura em madeira no "Liceu de Artes e Ofícios" de São Paulo, na década de 1980. Freqüentou a academia "La Grand Chaumiére", Paris, na França, em 1981. Embora tenha produzido retratos a óleo, dedicou-se mais à xilografia. Em 1982, exibiu na Pinacoteca do "MASP - Museu de Arte de São Paulo", com apresentação de Pietro Maria Bardi, sua obra "Xilopoemas". Antonio Costella participou de muitas exposições no Brasil e no exterior. Entre as mostras em que expôs, constam a "Xilo &amp;amp; Print", na cidade de Campinas, Estado de São Paulo, em 1994; "Xilogravura Brasileira", em São Paulo; "Primeira Bienal do Cariri", em Juazeiro do Norte, em 2001; "Xilo Internacional" em São Paulo, em 2002; "International Print Exhibit, em Taipei, 1983; "International Exhibition of Wood Engraving", em Hereford, em 1984. Durante as duas últimas décadas, Costella tem produzido, na área dos trabalhos gráficos, várias capas de livros para a "Editora Mantiqueira". Em 1987 fundou e desde então dirige o Museu "Casa da Xilogravura", em Campos do Jordão, Estado de São Paulo, cujo acervo reúne cerca de duas mil obras de quase trezentos artistas brasileiros e estrangeiros.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-140732040971134836?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/140732040971134836/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/sobre-o-palestrante-antonio-costella.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/140732040971134836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/140732040971134836'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/sobre-o-palestrante-antonio-costella.html' title='Sobre o palestrante Antônio Costella'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-5926500842944451483</id><published>2010-02-10T16:47:00.000-08:00</published><updated>2010-02-10T16:47:24.034-08:00</updated><title type='text'>Aí está a programação do Gravura em Circuito. Programe-se! Acesso gratuito.</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_LX3K-O8pC_c/S3NTaxfZgMI/AAAAAAAAAGg/d2NFSvAMmgc/s1600-h/programa%C3%A7%C3%A3o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_LX3K-O8pC_c/S3NTaxfZgMI/AAAAAAAAAGg/d2NFSvAMmgc/s320/programa%C3%A7%C3%A3o.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-5926500842944451483?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/5926500842944451483/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/ai-esta-programacao-do-gravura-em.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/5926500842944451483'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/5926500842944451483'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/02/ai-esta-programacao-do-gravura-em.html' title='Aí está a programação do Gravura em Circuito. Programe-se! Acesso gratuito.'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_LX3K-O8pC_c/S3NTaxfZgMI/AAAAAAAAAGg/d2NFSvAMmgc/s72-c/programa%C3%A7%C3%A3o.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-24121976777015927.post-4518377508792721338</id><published>2010-01-23T06:58:00.000-08:00</published><updated>2010-01-23T06:58:41.551-08:00</updated><title type='text'>Gravura de Inverno em Circuito - Em breve!!</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_LX3K-O8pC_c/S1sOf1uuV5I/AAAAAAAAAA4/Mj7LaaybiIw/s1600-h/cartaz_gravura+em+circuito_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_LX3K-O8pC_c/S1sOf1uuV5I/AAAAAAAAAA4/Mj7LaaybiIw/s320/cartaz_gravura+em+circuito_2.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/24121976777015927-4518377508792721338?l=gravuraemcircuito.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://gravuraemcircuito.blogspot.com/feeds/4518377508792721338/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/01/gravura-de-inverno-em-circuito-em-breve.html#comment-form' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/4518377508792721338'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/24121976777015927/posts/default/4518377508792721338'/><link rel='alternate' type='text/html' href='http://gravuraemcircuito.blogspot.com/2010/01/gravura-de-inverno-em-circuito-em-breve.html' title='Gravura de Inverno em Circuito - Em breve!!'/><author><name>Silvane Santos</name><uri>http://www.blogger.com/profile/16820898262285560122</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_LX3K-O8pC_c/S1sOf1uuV5I/AAAAAAAAAA4/Mj7LaaybiIw/s72-c/cartaz_gravura+em+circuito_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
